Sunday, August 31, 2008

I promise I didn't do it on purpose...


I was straightening up after church and making little piles to take to various rooms.  Finally I went to sit on the sofa to rest for a minute, and as I passed by, this was staring at me.  I didn't do it on purpose, I promise.  And now no one will take it apart.  I know--I am very easily amused.  

Friday, August 29, 2008

More Cradles of Eminence--on school

I'm trying out some occasional essays on various educational or (Christian) spiritual topics in order to prepare for co-op discussions this year.  Feel free to say what you like or don't like, and let me know if anything here doesn't make sense.  I'd be happy to get some early feedback!  I have already made one short post on Cradles of Eminence, which you may read here

***



I finished Cradles of Eminence yesterday.  It is a long, fascinating, and occasionally depressing or overstimulating book.  But I do think that homeschoolers, because we have chosen for one reason or another not to enroll our children in a full-time classroom, might enjoy reading about some of these children's reactions to conventional schooling.


The Goertzels state that three out of every five of the eminent people they studied had serious school problems, such as unsatisfactory curriculum, unsympathetic teachers, cruel classmates, and class failure, sometimes even in their areas of interest.  That’s a lot of extremely talented people who didn’t like school!  Reactions differed, often depending on the area of talent and background of the child.  Perhaps we can learn something helpful from them.


These stories are found mostly in Chapter 10 of the book.  In many cases I have simply typed the anecdotes almost verbatim, as my purpose here is not to present any original ideas of my own so much as to share some fascinating evidence and perhaps encourage someone who has a child who doesn’t fit the school mold, or who never fit that mold themselves. 


When future-eminent children did like classrooms, what did they like?  They appreciated teachers who let them go ahead at their own pace and gave them permission to work unimpeded in their area of special interest.  They remember adults who introduced them to new and challenging ideas.  They liked the parts of school where ideas were bandied about, such as the debate club or school newspaper.  They liked to be needed and to have early responsibility.  They appreciated those who could comment intelligently in their area of interest.  And like all human beings, they liked those who took time to listen to what they had to say and who had faith in them.


The book really doesn’t give that many examples of people who are mentioned as specifically liking school, so it’s a little hard to draw conclusions about those who did.  One such person is George Washington Carver.  It’s not hard to see why he differed from most.  He was raised by a foster father who paid to free him from slave kidnappers.  Not all of his schools were stimulating, but he did not complain.  He was happiest as a graduate student at Iowa State.  Carver is likely an example of a student who looked at school as a relatively stable place where one met adults who read books.  Bill Clinton may be another such example, though the book doesn’t list his biographical details and I was only able to find sketchy ones on Wikipedia.  Oprah Winfrey is almost certainly one.  


The second most school-friendly group, not too surprisingly, were the scientists.  In their case, school brought specialized knowledge and equipment, mentoring, and other opportunities.  It’s easy to see why the famous doctors required structured education, at least in their later years.  But some of the pure scientists benefited as well.  James Rutherford, the renowned physicist, had understanding teachers who recognized his interests and gave him one on one attention that his parents couldn’t have afforded through private tutors.  He was also the recipient of several scholarships. Our current society values scientists highly, and scientific competitiveness is often mentioned in connection with school funding.  These stories partially explain why people consider such funding so important.  But even the scientists had many scathing things to say about school, particularly the more creative ones such as Albert Einstein.  


Politicians and businesspeople, frankly, seemed to look at school as valuable mostly because it gave them an arena in which to organize others.  Many of the future politicians and business leaders in the book did poorly in school.  One wonders, in fact, whether they would still be admitted today into the schools they once attended, given the current pressure to be well-rounded and achieve perfect test scores and high grades.  


Winston Churchill (who had an exceedingly interesting and dysfunctional family) was called the naughtiest boy in England by his dancing teacher. He was admitted to Harrow because his father was Chancellor of the Exchequer, but he remained in the lowest group in his class all his days at the school, a period he described as a wasted time and a miserable interlude. Yet all the time he was showing signs of his future abilities, including a love of martial poetry and a near total disregard for personal safety which almost killed him as a teen. Grover Cleveland crawled out the window during a particularly long prayer.  Charles de Gaulle had mediocre grades, played pranks, and was generally unpopular.  Not surprisingly, Josef Stalin was expelled from school for his political activities.  None of Hitler’s teachers remembered him. 




But the group who are most miserable in school were the creatives: writers, artists, actors, composers and reformers (who are creative in the way they think about society).  These tended to be the children who came from the most traumatic backgrounds, by which I don’t mean underprivileged homes, but homes in which tragedies occurred, or unconventional ones.  Often their parents, despite instability, were very dynamic and interesting people.  


Here is a typical quote:


“I hated school so intensely.  It interfered with my freedom.  I avoided the discipline by an elaborate technique of being absent-minded during classes.  But my schoolmates found me out from the very beginning...and they set about to make me see how unpleasant life ought to be made for anyone who is different from other people.”  (Sigrid Undset)


A teacher shook thirteen-year-old Edvard Grieg and shouted at him when he found him completing his Opus 1, Variation of a German Melody for the Piano in class.  Grieg was so resistant to school that he used to stand under the rainspout in order to get so wet that the teacher would send him home to change clothes.


Many, including Salvador Dali, Ignace Jan Paderewski and Sarah Bernhardt, were expelled.  Others were dropouts or truants.    


American writers Stephen Crane, Eugene O’Neill, William Faulkner, and F. Scott Fitzgerald all failed classes in college because they did not enjoy the content of the courses they took.  Emile Zola faced repeated failures in the French lycee system.  


Pablo Picasso’s father, an artist himself, wanted his son to be well-educated so that he would be better able to support his future family than the father was, but Pablo resisted school and seemed completely unable to learn to read or write.  The other students grew used to seeing him come to school late with his pet pigeon (a model) and a paintbrush.  He spent much of his time in the kitchen with the schoolmaster’s wife, watched the clock, and if asked to pay attention, tried so hard that all he could think about was paying attention!


The least recognized and often the most unhappy children were those who had an early empathy that other children did not have.  Adults praised Albert Schweizer when he could substitute for the church organist at age nine, yet he was punished or ridiculed when he refused to wear the proper clothes that his parents so painfully provided for him, when he insisted on begin as poorly clad as the village boys, and when he would not join in robbing birds’ nests. 


The stubborn boys who failed because they would not scatter their energies seemed especially important because it was often they who made the giant steps forward which changed life significantly for the total population.  These include Edison, the Wright brothers, Henry Ford and Einstein.


Einstein and Edison, of course, are legendary for having been thought dull in school, and many people know the quote that begins, “It is...nothing sort of a miracle that the modern methods of instruction have not yet entirely strangled the holy curiosity of inquiry...”  but in light of the modern definition of school success as the ability to manage a heavy and varied workload, I particularly like the last part of the quote:  “It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by means of coercion and duty.”  Einstein saw the value of a perpetual sense of wonder. 


Einstein said of his entrance examinations at Zurich:  “The constraint was so terrifying that after I passed the final examination I found myself unable to think of a scientific problem for almost a year.”  Richard Feynman had a similar period of scientific burnout, which came to an end as he was spinning a plate in a cafeteria and became intrigued by the relationship between its spin and its wobble.  


Eminent people often did appreciate tutors more than they did classroom situations.  And most who were taught at home were thankful for the opportunity, provided that their parents eventually let them grow up and express themselves as separate people.  Dimitri Shostakovitch’s mother, who was bemoaned her children going out and having fun even after they were married, didn’t.  Grandparents and community mentors are also positive influences.


 


The eminent benefited from what the authors term a “time-out,” an extended period when the normal schedule is suspended and the boy or girl is free to think, read or do something entirely novel.   Many times the free period came because the young person was sick:  Henri Matisse studied painting during a convalescence.  Winston Churchill spent time listening to relatives in Parliament, and discovered himself intellectually, after rupturing a kidney.  Other times, the catalyst was travel:  Albert Einstein traveled around Italy at sixteen after he almost had a nervous breakdown.  William Randolph Hearst wandered around New York City.  Marie Curie had a free year in the country at fifteen.  Richard Byrd traveled around the world alone at thirteen!   None of these circumstances is as common today as they would have been in previous centuries.  No wonder so many favorite children’s books are full of stories of sick, orphaned and otherwise unscheduled children!  To me, such times to ponder are perhaps the most attractive opportunity that homeschooling affords.  


An interesting question posed at the end of the book is, how have things changed since these eminent people grew up?  What do compulsory education, lockstep curriculum, and crowded schedules add to the mix?  


The majority of eminent people still come from professional homes where the parents encourage their children to love learning.  But increasingly, it is becoming evident that something has gone wrong with the tradition of self-education among professionals.  Students coming from professional homes are too frequently uninterested and unimaginative.  They can pass tests and make the grades required to get into good schools, but they remain uninvolved in the learning process.  They are after credentials, primarily in order to enjoy the social and economic benefits that they bring.  This is even, or perhaps especially, true at expensive and competitive schools.  


Teachers, in studies, preferred children of high intelligence, but low creativity.  One reason is obvious: Creative children rock the boat.  They are energetic, ask hard questions, daydream or play the class clown, and may alienate themselves through their own rude behavior.  They make coordinated activities more difficult for the teacher, whereas intelligent but conventional children make the teacher look good and feel needed.  


Another reason is that, in what anthropologists tell us is the most peer-oriented culture in the world, children become almost afraid to think until they learn what their classmates are thinking.  Needless to say, peer pressure is a creativity killer.  Consider the word “nerd,” which, I dislike because it allows the opponents of real learning to frame the debate.  Highly achieving adults often have a great joy in their work and retain a childish pleasure in learning which may make them seem naive to the public.  If teachers can’t strangle the holy curiosity of inquiry, peers can stomp on it pretty thoroughly, especially if the parents buy the line that peer adjustment is of paramount importance.  


One question that the Goertzels never answer is, what happens to the children who share these risk-taking traits, but never become eminent? Perhaps we can glean a partial answer by looking at the siblings of these eminent people.  Some were minor eminences in their own right, while others were broken by the same circumstances that made their siblings great.  Some may have been in the wrong place at the wrong time for eminence.  Others may simply have chosen self-directed goals that didn’t bring them fame. 



Certainly many sensible parents will object, this is all very interesting, but shouldn’t our children have a Plan B?  Perhaps so, and certainly such parents as Pablo Picasso’s or Edgar Degas’ promoted such plans, but there is one thing to consider:  Perhaps people who become pioneers in their field do so partly because they have no realistic alternative.  At any rate, they are not afraid of failure.  One prominent trait of the people in the Goertzels’ book is that they have a higher rate than the general population of fathers who were failures (though they may have sprung back).  The authors speculate that facing the instability of such as situation may remove the fear of failure somewhat from their children.  Creativity, in any area, requires risk. What separates the people in this book from talented but conventional students who get into elite colleges today is that they are extremely persistent in pursuing their own goals.  You can't formulate these people.  


The most prominent traits of all the eminent people described in this book are single-mindedness and suffering.  The authors make it clear, however, that they are not advocating purposeful trauma in order to make children famous!  A conventional, reasonably competent child is certainly more likely to be “happy” in the usual sense.  There are plenty of people who are somewhere in the middle of the spectrum, creative in daily life, but their interests are not all-consuming. But one thing I like about this book is that, since life brings a certain amount of suffering to everyone, it points out possible redeeming qualities even in the most difficult situations.


And what can a Christian make of this long tale of misery and ambition, punctuated by the joy of discovery?  In some cases, it’s hard to say.  Fame in itself is a dubious goal, but it’s not at all clear that even the people profiled were after fame so much as the opportunity to focus on their work.  There was lots of depression in this book, lots if illness and death, a fair amount of political oppression, and several suicides.  Many of the eminent were in rebellion against conventional mores, but it’s hard to tell whether they were rebelling against prevailing stodgy attitudes or Christianity itself.  Sometimes they threw the baby out with the bath-water.  Certainly no Christian wants to raise an Adolf Hitler, and one trait of the dictators seems to have been mothers who hated their husbands and focused all their attention onto their sons.  Such stories bring to mind my pastor’s sermons about idol worship.  But I think the most valuable way to look at the biographies in this book is to see that God doesn’t so often remove us from our difficulties as He comes alongside us.  If we find ourselves or our families in a difficult situation, we can do no better than to look to Him.  


Tuesday, August 26, 2008

Discovering painters

From John Morra's "Mixer" series

I've had a little more time to get interested in art lately, since I'm not painting my portrait right now. Ironic?  Yes, but it also makes sense, because doing the portrait got me interested in art again, and this is really the first year since I've started homeschooling that my brain has occasionally felt free to wander off on tangents now and then.

Anyway, New York City certainly has the art resources, and I've become interested in taking advantage of them.  Today, the man who designed our bookshelves told me about a friend of his, a fellow-Christian and New York-based artist named John Morra.  I looked him up, and I really was pleased with the work!  The craftsmanship, compositions and quiet subjects all combine to make him a truly interesting painter in my way of thinking.  I hope he won't mind my nabbing one of his photos to put into this entry, because I'm only doing it in hopes that some of you will want to go take a further peek at his website.  John is represented by Hirschl & Adler Gallery in Manhattan.

As I come upon other artists in the city, I may post their work as well. 

Speaking of which, I should really post a photo of the bookshelves...

Monday, August 25, 2008

The simple life, as applied to scrapbooking

1 Unless the LORD builds the house, 
       its builders labor in vain. 
       Unless the LORD watches over the city, 
       the watchmen stand guard in vain.

 2 In vain you rise early 
       and stay up late, 
       toiling for food to eat— 
       for he grants sleep to 
[a] those he loves.

--Psalm 127

There's a reason that I say in my profile that I desire to live a simple life in a complicated city.  It's a reminder to myself that I haven't always even known that was a thing that one could do.  It takes conscious effort.  And reminders.   

My scrapbooking hobby is an example of this principle in microcosm. I've kept photo albums since I married in 1987.  The first ones were nothing more than taped down photos with some journaling in black pen.  But I have accumulated a whole shelf full of these albums now, chronicling three cities, a whole parade of local friends who have come and gone, out-of-town visitors to our home, the cycle of seasons from the vantage point of the city's parks, trips to concerts and museums, visits to Georgia that occur like clockwork in summer and at Christmas, vacations, some homeschooling projects, violin recitals (which really don't work with the format, but still, they happen) and of course, a growing child.  No one looks at them but us.  But I keep doing them, because they remind me that time passes and that I should savor each year.

My process is very simple.  It has to be, because I only do this about twice a year for a few days per session.  It is:  Cull photos and group into spreads.  Choose paper that picks up the colors in the photos.  Do the basic layout and get everything taped down (because having photos fall out every time you pick up an album is a deterrent to looking), journal before I forget what happened, and then, if there's time, add some embellishments.  There's rarely time to really finish things, and most of my albums are very simple.  Since I use tan pages, many times I just arrange the photos and label them.  Period.  And put all those little tickets, notes, and programs in pocket pages. 
 
This is about as complicated as my scrapbook pages get

Well, while I took a break to paint a portrait for two years, the entire scrapbooking industry changed on me.  I don't mean that my album color was discontinued; that always happens.  I mean that the whole industry proliferated, became professionalized, and got much glossier than my ability to keep up with it (much like the homeschooling community).  When I finally got back to my safe, limited Creative Memories website, none of the handy little sleeves that I'd always put drawings and tickets in existed anymore.  They had added digital products.  The other sites I went to were about downloading and printing out fonts, inserting brads, sewing, buttons, ribbons, journaling right on top of the photos, tags with vague but empowering sentiments on them, and the pages were usually organized around one glossy black and white photo per page.  Help!  Where did my humble little hobby go?

My pastor, Dr. Keller, says that New Yorkers have to realize our need for grace more than any people, because back in Peoria, we used to think we were the best vocalist in town, but then we came to New York and realized with chagrin that the musicians in the subway were better than we were.  Well, Dr. Keller, it's even worse than that:  The musicians in Peoria are pretty good, too!  (With my apologies to Peoria, which is no doubt a fine place.)  

Every woman these days is a professional level photographer, an ace scrapbooker, a Martha Stewart in the kitchen, sews her own adorable kids' clothes, encourages the downtrodden, and is somewhere in the midst of running a co-op and teaching her six children the classical canon. Oh, and on the side she is also a political pundit who keeps up with current events and comments with style and wit.  Did I mention that she hosts dinner parties?  Is always a proactive parent?  Has a profitable side business on Etsy?  And of course, if she lives in Manhattan, the kids are headed for the Ivy League.  

Do you see how quickly my mind can take a simple thing like wanting to document a vacation and blow it all out of proportion?  This is why I say on my profile that I desire to live a simple life in a complicated city.  It's not an accomplishment; it's very much a reminder that the simple life is a work in progress.  No one, and I mean no one, can have everything.  

My real-life and online friend Susan once mentioned to me that there was a such thing as an HSP, or high sensitive person. (I'll let her tell you how that applies to her if she likes, or not.) Intrigued, I looked it up.  It's a book by Elaine Aronson, and there's a website, with a test.  I scored just about 100 on that test.  At last, I'm an overachiever!--at getting all worked up and needing to take a deep breath. 

So this is your reminder, in case you needed one.  It's not a contest.

Saturday, August 23, 2008

Punished by Rewards

I'm writing this post because I got starting replying to Willa's post on the same subject, and realized I was hogging her comments box, when I already had a place to do that over here ;-). She was talking about Alfie Kohn's Punished by Rewards, a book she's read called Sway, and generally discussing extrinsic vs. intrinsic motivation.

I read Alfie Kohn's book when I first started homeschooling, and it has had a big effect on how I have done things, not because I thought Kohn was an authority to be followed (I am a skeptical reader), but simply because I saw that he was largely right where my own homeschool was concerned. So whenever possible, I tried to help C.Z. see why it was worth doing what I asked her to do, and to give her an age-appropriate amount of autonomy. It probably also helped somewhat that she wasn't even very motivated by incentives, and that I couldn't keep their intricacies straight myself, so it usually wasn't even worth the trouble for me to offer a reward. This isn't to say that we never had any structure, but it was usually routine-based, not external. Even so, it was sometimes extremely hard to motivate intrinsically when most people I knew were using rewards. They got more immediate results than I did, naturally! (Or more to the point, not naturally.)

Seven years later, I think I am starting to see the fruits of intrinsic learning. I don't want to make this all about what my child does, but she's the sort who will look me right in the eye and refuse an offer of a class with all her best friends in it if she doesn't like the subject. She has amazing self-confidence and resolve in choosing her own goals--just the sort of thing that used to drive me crazy when she was eight! And it's not all achievement-oriented, either. She doesn't worry too much about rankings and prizes in music school, and was shocked when she got first chair in her violin section last year (but she loved the responsibility). 

Frankly, I think extrinsically motivated kids are more susceptible to peer pressure, and are more entertainment-driven. And C.Z. does, too, and she tells me this now that she's around other school kids. We're not perfect either, of course. Nor do we want to be. I don't know how it will play out when she's an adult, but I do know that the lesson of intrinsic motivation took--with a vengeance!  Now whether I emphasized this method because I saw how she was, or whether she's that way because I emphasized this method, it's hard to say, but it's done now.  

As both Sway and Punished by Rewards mention, we do occasionally "celebrate" milestones, often after the fact. I see nothing wrong with that, because it becomes a happy family memory that shows that we appreciate one another, not a calculating sort of goal.  

One more thing: I think that much modern school is about managing workload more than it's about learning itself. This does present something of a dilemma to the parent who wants to teach intrinsic motivation. Sometimes I'm tempted to worry a bit about what would happen if C.Z. decided to go to high school (not likely), or what will happen when she goes to college (likely). She'll have to take classes in subjects that she doesn't like, and not delve so deeply into the few real interests, at least until she reaches her upper level courses. I'm counting on the fact that by the time she goes to college, she'll understand how these "required" courses fit into her overall goals, and that will be motivation enough. Also, she may simply opt for a music conservatory, though I am frankly talking up a liberal arts course, at least for now. At the moment, it's a bit tough to motivate for, say, Latin. About the only motivation she has is me sitting there with her, and even that doesn't work very well. Naturally, I'm trying to help her see why I think Latin is worth the trouble, and hoping that it will catch on. And yes, of course that's a hard thing to do!

If you're reading this and getting a bit worried right now because you're thinking, "My kid would never do that! I have to use rewards!" Well, I don't know, because I only know our family, but I will offer two possible explanations: 

One is contained in Discover Your Child's Learning Style, by Mariaemma Willis and Victoria Kindle Hodson. According to this book, there are five learning styles, and one of them is Producer. I suspect that Producers are the kind of learners that are most easily motivated by rewards, and my daughter and I have almost no "Producing" in our dispositions, so that could partially explain us. We are almost entirely "Inventing" and "Thinking/Creating." Have some sympathy for us, because we get very bored at the thought of having to check off lists as a form of motivation (we do use lists as simple organization tools and exterior memory, of course), and we realize that we are living in a world run by Producers, because that's what Producers do--run things. (Not that we particularly care!)  

When our family took the learning styles inventory in the book, we found to our surprise that Bob was a raging Producer. (And also an Inventor, thankfully, because that gives us all a common modus operandi.) Hmm, might that explain the obsession he has with scores, running times and numbers? With making decisions? But...even Bob agrees with Alfie Kohn and thinks that rewards are punishments. Bob sets his own goals for Production, and achieving them is its own reward. He doesn't like anyone else coming up with his goals for him, thank you!

My other explanation is simply, are you intrinsically motivated? Do you see the point, or have the desire to teach that learning is its own reward? I'm not going to tell you what to think, of course! That would be totally against the point! (I'm laughing, because I am easily amused by the absurd!) But before you tell me that you can't (I'm saying this because I've had people tell me this to my face, more than once), do be honest with yourself for a minute and ask whether you even want to, and if you don't, why you don't. It might be simply that you haven't thought about it, or that it would be sort of a pain to shift gears, or that you think managing a workload is a more important lesson than the work itself, or any number of other reasons. And once you ask yourself these questions, you'll know why you're motivated the way you are, and that's something worth knowing.

Friday, August 22, 2008

Garden variety--a good thing!


I was making Susan's Bangladeshi beef curry for dinner, and since I didn't have a cucumber for the "salad" that goes on top (oops, used it for my weekly dose of gazpacho), I substituted a sweet red pepper from my CSA bag.  It wasn't an ordinary red pepper, or even a Holland pepper, but an elongated variety whose name I don't know.  Then I chopped up an onion for the salad; The CSA onions have all been "red" (i.e., purple-looking) lately.  Oh, yes, and the tomatoes this week are yellow ones, which I think are called Juliets if I have the name right from the newsletter.   Andlight green Anaheim peppers, which aren't quite as hot as jalapenos, but are just right to eat on top of an already hot curry (into which I put a long, skinny red pepper, very hot indeed, also from the CSA). And cilantro, of course.  At least that was the usual color--though I've seen it look purplish before.

Don't you just love the variety of late summer?  C.Z. and I went to the farmers' market this morning just to round out the grocery list, and although I had two containers of tomatoes from the CSA sitting on my windowsill, and a few left over from the week before, it was all I could do not to buy some of the diverse varieties of heirloom tomatoes on display.  Usually "garden variety" is used to connote ordinariness, but I don't think the people who first put that term into use could have predicted the remarkable renaissance in varieties from gardens these days!  So, long live garden variety, and happy cooking!  

Mostly musical metaphors

Last night we went to hear the Emerson String Quartet play at the Mostly Mozart Festival at Avery Fischer Hall (the usual venue for the New York Philharmonic at Lincoln Center).  Mostly Mozart is something of a misnomer, since the performers play a bit of everything, and this year's theme is Finns, but during this concert the quartet (in various permutations) did play several pieces that were either written or arranged by Mozart.  

Since we went to the preconcert recital, we got to hear the quartet play Mozart's arrangements of Bach fugues from The Well-Tempered Clavier, which Emerson is about to release on a new CD. Despite the fact that I own an entire four-CD Well-Tempered Clavier recording, these pieces were not all extremely familiar to me.  The fact of the matter is, mine are Glenn Gould recordings for piano, and the most musically-opinionated member of our family has a long-standing revulsion for Glenn Gould, so I seldom get very far into the set.    

The recital also featured Mozart's Violin Sonata in E minor, with Jonathan Biss on piano.  This one has a poignant falling theme on the piano underscored by a continuous violin line, but I'm not the technical expert on music in the family, so I'll venture no further than that.  No doubt I'm saying something wrong as it is!  It's a very familiar and favored piece for all of us, though I don't think we have a recording of it.  And as usual, the pianist's facial antics were entertaining.  What is it with pianists?  I guess I was just never good enough at piano to hum to myself while playing concerts.  (Biss' bio, above, is quite entertaining.)

The main concert featured Mozart's "Hunt" string quartet, a new piece by Kaija Saariaho commissioned for the Emerson String Quartet, and the Schubert "Trout" piano quintet.  The "Hunt" is so familiar that we know almost every note, and it also has that cheerful Mozartian sound that sounds like pure frivolity but isn't, so that was fun. The mood of the Saariaho piece was just the opposite, discordant and full of eerily-textured harmonics.  I felt I understood the "big picture" and the details with this piece, but was rather lost in the middle range.  (And there were a few distractions, as you will see.)  The "Trout" was somewhere in the middle, but much closer to the Mozart, of course.  It was less familiar, and longer, with some folk music thrown in, but that made it just the right mix for our family:  old, and yet new.  Jonathan Biss and bassist Timothy Cobb added even more texture.  

Unfortunately, this must have been the worst-behaved audience I've ever been a part of.  They weren't purposely badly behaved in the 19th C. sense of actually throwing tomatoes on the stage or heckling the musicians, but coming from a Lincoln Center audience that's supposed to know music, it was sadder.  An occasional octogenarian nodding off, a few throat-clearing between movements (at least in January), or an emergency cough-drop wrapper crinkling, I can understand.  But blatant seat-shifting during the music? Gripes about not enough Mozart?  Sleeping through the entire concert?  Applause between movements, and once thunderous applause (and exiting) during a dramatic rest?  And then, during the Saariaho, there was that elderly voice from the first-tier balcony.  It was like Anne Ramsey's in "Throw Momma from the Train."  It was loud, continuous, and very, very hard to ignore.  

Still, this wasn't the Emerson String Quartet's fault.  Musically speaking, they seem to be on the smoother side of the musical spectrum, even when playing dissonant music.  No Pablo Cassals style digging into the strings or Gouldian quirks of timing, at least that I could discern.  I kept imagining that the sound had a texture like the highlight on a piece of porcelain, or perhaps like cream soda, but that seems like a better simile for a group of bluegrass fiddlers than a classical chamber group.  Champagne, maybe?  As you can see, I'm of no help whatsoever in the music criticism department.  

I've asked C.Z. to write her own review explaining to me all the things that I only think I heard. She can use musical terms, but she has to explain them so that I will know what she's talking about.  Not that I'm going to publish it, which she wouldn't like, but if I'm going to be an educated parental listener, I'd better start learning what it's all about so I can come up with some better descriptors than "cream soda"!  

Wednesday, August 20, 2008

Cradles of (20th-century) Eminence

I am currently rereading Cradles of Eminence, a book that I first read in my homeschooling research days, the title plucked from Karl Bunday's Learn in Freedom! website.  The premise of the book is that many people who turn out to be eminent (that is, not merely talented in a conventional way, but world-changers) learned their tenacity and convictions during unconventional, and often traumatic, childhoods. It's a fascinating read.

One trend, at least in the couple of chapters I've re-read so far, and as I recall, in the entire book, is the tendency to "freethinking" in the children, and often in their families as well.  Many were early agnostics, others were Unitarians.  Most were from politically liberal families.  I  won't include the details here, because of course, they are the sorts of details about which most people have already formed their opinions, but some of the people discussed in the first few chapters include Margaret Sanger, Jane Addams, Eleanor Roosevelt, Thomas Wolfe, George Bernard Shaw, Susan B. Anthony, James Joyce, Pearl Buck, Andrew Carnegie, Charlie Chaplin, and Joseph Stalin.

The authors do a good job of making the daring and bravery of these families appealing to the reader.   And indeed, for many people who are politically and religiously liberal themselves, the connection is clear and easy:  Freethinkers are brave and courageous, and it's the conservatives who stultify society and keep people under oppression.   So people should obviously raise their children as freethinkers.  Who couldn't see the connection?

I would simply like to point out one thing:  These people mostly came from 19th-century families. They came of age in the late 19th and early 20th century, at the height of progressivism, reform, big government, and eugenics.  Naturally, those were the people whose biographies lined the shelves in public libraries during the late 1950s and early 1960s, when the Goertzels were writing their book.  We are now in a better position to see the legacies of some of these movements.  I wonder who tomorrow's brave contributors will be?  

Some of the reforms these eminent people carried out were probably needed at the time; others have left a legacy of pain and moral numbness.  But how much of the overwhelming appeal of progressivism at the time was because Christians were complacent and had stopped bravely living out their beliefs?  It's one thing to uphold the purity of one's faith, but another altogether to persecute those who don't.  (I'm not talking about having criteria for church membership, but about uncharitable behavior within the broader community.)  Perhaps these people saw the need for sweeping reforms because we Christians weren't doing the job ourselves?  I'm not singling out any particular branch of Christians; we've all done it.  I can remember being part of a phalanx of second grade girls (all nominally Christians) who were unkind to a visiting Russian girl, just because we supposed she was a Communist.  Somebody should have given us a good shake down!  

So my question is, how can I, as a Christian parent, encourage the sort of courage and vision that will wear well in the long run?  I'm not inclined to traumatize my child, of course!  But neither will I be afraid of the ordinary (and occasionally greater than ordinary) rubs and bumps that come with life.  I can't bury myself in convention, but need to think out my beliefs and reasons for them.  And we Christians have a good reason to think through such questions.  Not only will history ask them of us, but so will the Judge of the Universe.  Thankfully my answer will not ultimately rest on my own silly and half-hearted attempts to live, but upon the splendor of Christ.  Eminence is not a matter of our own choosing.  Otherwise, I sometimes think it would be hard even to get out of bed!  

Friday, August 15, 2008

Summer baking


Southern cornbread in a cast iron skillet.  The key is really hot grease!

I don't really know all the details of C.Z.'s recent summer baking, and that's the beauty of it.  But I do know that when she was three, she liked nothing better than to be allowed to play in flour and then have me vacuum her feet.  When she was eight, she made up a lot of recipes that began, "3 c. flour, 3. c. sugar, 3. c. butter...." and then she wanted to be allowed to make them.  Sometimes we did!   By ten or so, she had gotten pretty decent at making cornbread after my mom's recipe, banana bread and bran muffins, which don't require yeast, but do require following a recipe.  Then she added scones to the repertoire.  But this summer when C.Z. got out my old Mary Mac's Tea Room cookbook and decided that it was time to learn to make biscuits, she had entered a new level.  She was ready, and she meant business.

The first biscuits turned out, well, a little dense.  She got hints from our neighbor, hints from the terrapin professor, hints from my mom, and kept trying.  She tried lard.  She stopped using the food processor and started cutting in the butter cold.  The biscuits got better.


An early attempt at Southern biscuits

Then she started reading cookbooks for fun.  "Mommy, did you know we could be making tiramisu?!" she'd announce.  Well, yes, but my only proven method of weight control is to have no tempting foods in the house, so I tend to avoid the dessert sections of cookbooks.

Then came challah.  We are big fans of Silver Moon challah, as I've written elsewhere.  And we like challah from the farmers' market, but sometimes we arrive too late to get any.  So C.Z. tackled challah on her own, and did a tolerable job of it.  I don't think challah is an easy bread to make.

Challah dough
Finished challah

Then our neighbor leant her a book on French bread techniques.  She would sit on the sofa reading and calculating the number of hours required for brioche, croissants, and more.  This was not easy fare, but like me, sometimes C.Z. eschews easier fare for more challenging material.  (She didn't really read until she could digest chapters.)  She made cinnamon raisin brioche.  It was quite good!



Brioche, before and after baking

Yesterday she made croissants.  She got up early in the morning and made the dough, let it rise, cut it, folded it into crescent shapes and let it rise again.  By late afternoon, we had croissants! And we ate them again for breakfast this morning.  



The latest project, croissants!

C.Z. would be the first to tell you that this baking is a work in progress.  She's quite self-critical.  Yesterday she said, "Ooh, I'm not sure I want you to post photos on your blog.  They're not that pretty."  But then I uploaded them and accidentally posted them before I meant to!  It took so long to upload them that now I don't want to delete them, so here you go--a post in progress, about a baker in progress.   

 Pizza, with farmers' market vegetables

Thursday, August 14, 2008

Houston, we have a tomato! (and other 21st century gardening tales)



I've meant to write a post about our roof garden all summer, but so far I haven't finished even one.  Maybe that's because, though it's our third summer of roof gardening and we even added a new box this year, it's been a slow summer getting the plants started.  It took until late June to find any tomatoes small enough to grow in our boxes, and then the birds got all our first blooms.  But we now have, I am happy to say, our first green tomatoes (Sweet One Hundreds), and hopefully there will still be enough warm weather to harvest a nice crop to go in salads and mozzarella/basil combinations.  

Last week we found a tomato hornworm munching on our plant and deposited it in a jar for observation (and to protect the tomatoes).  I recognized this fat, green caterpillar from gardens down South.  This one was covered in small white globules, which brought back a vague recollection from our family's reading about insects.   I Googled it, and found that sure enough, the worm had been parasitized by a wasp, and the white globules were wasp pupae, or "cocoons."  The site said to leave the hornworm in the planter, so that in the future, the wasps would lay eggs on future hornworms.  So back it went.  I'm omitting some unsavory details of the Annie Dillard variety, but here's what the caterpillar looked like:


A parasitized tomato hornworm

Our zinnias and basil are likewise thriving after a shaky start.  C.Z. grew them from seeds, which unfortunately suffered from no fewer than five vandalism incidents.  No, not the kind that produces graffiti!  They were likely the work of curious, but unsupervised, toddlers, or perhaps in one case, even strong winds.  After the first incident, one family sent us some new seeds.  How nice!  The old seeds that C.Z. had saved from last year (to see if they'd reproduce in the same color) were yellow, while the new ones were pink.  Some of these new plants got pulled up as well, but one huge zinnia bush (we can only call it a bush) remains, and now C.Z. regularly decorates our living room in zinnias.  

Zinnias, in our new tea cups from Chinatown

The basil, meanwhile, was part of a NASA experiment, begun when an employee visited our homeschooling co-op.   C.Z and a friend each sprouted, in little pots on our roof, "earth based" seeds and those that had been kept on a space station.  Supposedly space exposure might alter the DNA!  Well, the space basil is now monstrous, but we don't think it's the result of altered DNA:  The space seeds got spilled into the planter in one of the vandalism incidents, and the soil in that planter was laced with Miracle Gro.  The other pot of space seeds later disappeared altogether.  So much for scientific method!  The earth based seeds, which remained untouched in their little pots, are sort of wimpy by comparison.  Too bad it was the space basil that spilled instead of the regular kind, because don't want to ingest the altered plants.  Otherwise, we'd be making pesto by the pound about now!

Our riotous, Miracle-Gro laced planter box, with tomatoes, space basil, and pink zinnias

We also got space based tomato seeds from Canada's space program, but by the time we got them and had time to read the instructions, it was too late to plant them.  Maybe we'll try it next year.  At any rate, I think if you sign up on their website, they send you a similar experiment each year.  But they won't tell you which seeds are which unless you send them your results! (Clever way to motivate people to follow through, isn't it?)

There was some talk in our building of starting a roof compost bin, but I don't think it's going to happen this year.  It would be nice, since the Miracle Gro effect wears off after the first year of using the same soil, and we'd rather go organic anyway. My other planter, which has impatiens, parsley, stevia, chives, some strictly greenmarket basil, and a long ago shot-to-seed cilantro plant (I can harvest coriander now), is anemic looking.  I think it may have gotten too much water at the beginning of the season.  So far, as fertilizer, I've contented myself with dumping coffee grounds in it.  

Thus are the hazards of roof gardening.  I'm learning, and so I'm happy to be growing anything at all.  This is mostly my way of not giving up on plants altogether just because I live in a north-facing apartment.  And I like being able to pick fresh herbs for dinner.

Meanwhile, some much more sophisticated people on the Hudson River are trying another urban gardening experiment.  C.Z. and I happened upon it during one of our river walks and went back for a free tour on Tuesday.  It's called the Science Barge, and is basically a sustainable, stackable hydroponic garden.  The potting soil for germinating seeds is made from rocks that are exploded and then reconfigured into a substance with the consistency of pink wall insulation. The greenhouse climate is controlled by the most low tech means possible, all powered by solar panels or wind power.  The water for the whole garden is rainwater filtered by reverse osmosis. The plants are fertilized, if I have this right, by tilapia waste!  And like everything in Manhattan, it's all so vertically oriented that it takes up very little horizontal space. The group who developed this garden has calculated the amount of unused flat space on NYC rooftops, and if similar systems were installed into every such building (and properly cared for, I'm sure), supposedly such gardens could grow enough to satisfy the average produce needs of 25 million people!

21st century sustainable basil, on the Science Barge along the Hudson
(Doesn't that backdrop look marvelously fake?  But it's not!)

On the way home, we stopped to enjoy the sailboats along the Hudson and the well-kept flower garden at 91st Street in Riverside Park.  (It's also the place where Meg Ryan and Tom Hanks finally meet in You've Got Mail.)  Nice gardens don't have to be mine.  I can enjoy them wherever.  Sometimes, as with my weekly CSA share, I can even literally enjoy their fruits (the tomatoes are literally fruits, at least).

Houseboats on the Hudson

91st St. Garden in Riverside Park

CSA vegetables
So, that's my urban gardening report!  Enjoy your gardens, whatever kind you may have.